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Steely Dan Do It Again Overlaid With Another Song Youtube

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American stone band

Steely Dan
Steely Dan performing in 2007. Walter Becker (l) playing electric guitar, Donald Fagen (r) playing melodica.

Steely Dan performing in 2007. Walter Becker (fifty) playing electric guitar, Donald Fagen (r) playing melodica.
Background information
Origin Annandale-on-Hudson, New York, U.s.a.
Genres
  • Jazz stone
  • soft rock [1]
  • pop rock[2]
  • jazz fusion[3]
Years active 1971–1981, 1993–nowadays
Labels
  • ABC
  • MCA
  • Giant
  • Reprise
  • Warner Bros.
Associated acts
  • Jay and the Americans
  • Doobie Brothers
  • New York Rock and Soul Revue
  • Dukes of September Rhythm Revue
  • Toto[4]
  • Larry Carlton
Website steelydan.com
Members Donald Fagen
By members
  • Walter Becker
  • Jeff Baxter
  • Denny Dias
  • Jim Hodder
  • David Palmer
  • Royce Jones
  • Michael McDonald
  • Jeff Porcaro

Steely Dan is an American rock band founded in 1971 at Bard College in Annandale-on-Hudson, New York by cadre members Walter Becker (guitars, bass, backing vocals) and Donald Fagen (keyboards, lead vocals). Blending elements of rock, jazz, Latin music, R&B, dejection[five] and sophisticated studio production with cryptic and ironic lyrics, the band enjoyed disquisitional and commercial success starting from the early 1970s until breaking up in 1981.[5] Initially the band had a stable lineup, only in 1974, Becker and Fagen retired the band from live performances altogether to become a studio-only band, opting to record with a revolving cast of session musicians. Rolling Stone has chosen them "the perfect musical antiheroes for the Seventies".[half-dozen]

Afterward the group disbanded in 1981, Becker and Fagen were less agile throughout most of the next decade, though a cult post-obit[5] remained devoted to the group. Since reuniting in 1993, Steely Dan has toured steadily and released two albums of new textile, the commencement of which, Ii Against Nature, earned a Grammy Accolade for Album of the Year. They accept sold more than than xl one thousand thousand albums worldwide and were inducted into the Stone and Scroll Hall of Fame in March 2001.[vii] [viii] [9] [10] VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time.[11] Rolling Rock ranked them No. xv on its list of the 20 Greatest Duos of All Fourth dimension.[12] Founding member Walter Becker died on September iii, 2017, leaving Fagen as the sole official member.

History [edit]

Determinative and early years (1967–1972) [edit]

Becker and Fagen met in 1967 at Bard Higher, in Annandale-on-Hudson, New York. As Fagen passed by a café, The Ruddy Balloon, he heard Becker practicing the electric guitar."[13] In an interview, Fagen recounted the feel: "I hear this guy practising, and it sounded very professional person and contemporary. It sounded similar, you know, like a blackness person, really."[13] He introduced himself to Becker and asked, "Practice you want to be in a band?"[xiii] Discovering that they enjoyed similar music, the two began writing songs together.

Becker and Fagen began playing in local groups. I such group – known as the Don Fagen Jazz Trio, the Bad Rock Group and later the Leather Canary – included hereafter comedy star Chevy Chase on drums. They played covers of songs by The Rolling Stones ("Dandelion"), Moby Grape ("Hey Grandma"), and Willie Dixon ("Spoonful"), as well equally some original compositions.[13] Terence Boylan, some other Bard musician, remembered that Fagen took readily to the beatnik life while attention higher: "They never came out of their room, they stayed up all night. They looked like ghosts—black turtlenecks and skin then white that it looked like yogurt. Absolutely no action, chain-smoking Lucky Strikes and dope."[xiii]

After Fagen graduated in 1969, the two moved to Brooklyn and tried to peddle their tunes in the Brill Building in midtown Manhattan. Kenny Vance (of Jay and the Americans), who had a product function in the building, took an interest in their music, which led to work on the soundtrack of the depression-budget Richard Pryor flick You lot've Got to Walk Information technology Like You Talk It or You'll Lose That Beat. Becker later said bluntly, "Nosotros did it for the money."[fourteen] A series of demos from 1968 to 1971 are available in multiple dissimilar releases, not authorized by Becker and Fagen.[fifteen] This collection features approximately 25 tracks and is notable for its sparse arrangements (Fagen plays solo piano on many songs) and lo-fi production, a contrast with Steely Dan's later piece of work. Although some of these songs ("Caves of Altamira", "Brooklyn", "Barrytown") were re-recorded for Steely Dan albums, nigh were never officially released.

Becker and Fagen joined the touring band of Jay and the Americans for about a twelvemonth and a half.[sixteen] They were at first paid $100 per show, but partway through their tenure the ring's tour manager cut their salaries in half.[16] The group's atomic number 82 vocalizer, Jay Blackness, dubbed Becker and Fagen "the Manson and Starkweather of rock 'n' roll", referring to cult leader Charles Manson and spree killer Charles Starkweather.[16]

They had little success subsequently moving to Brooklyn, although Barbra Streisand recorded their song "I Hateful To Shine" on her 1971 Barbra Joan Streisand anthology. Their fortunes changed when one of Vance's associates, Gary Katz, moved to Los Angeles to become a staff producer for ABC Records. He hired Becker and Fagen as staff songwriters; they flew to California. Katz would produce all their 1970s albums in collaboration with engineer Roger Nichols. Nichols would win six Grammy Awards for his work with the ring from the 1970s to 2001.[17]

Besides realizing that their songs were also complex for other ABC artists, at Katz'southward suggestion Becker and Fagen formed their own band with guitarists Denny Dias and Jeff "Skunk" Baxter, drummer Jim Hodder and singer David Palmer, and Katz signed them to ABC as recording artists. Fans of Beat Generation literature, Fagen and Becker named the band after a "revolutionary" steam-powered dildo mentioned in the William South. Burroughs novel Naked Tiffin.[18] [19] [20] Palmer joined as a 2nd pb singer because of Fagen'due south occasional stage fearfulness, his reluctance to sing in front end of an audience, and because the characterization believed that his voice was not "commercial" enough.

In 1972, ABC issued Steely Dan'southward first single, "Dallas", backed with "Sheet the Waterway". Distribution of "stock" copies available to the general public was apparently extremely limited;[21] the single sold so poorly that promotional copies are much more readily available than stock copies in today'due south collectors market place. As of 2015, "Dallas" and "Sail the Waterway" are the only officially released Steely Dan tracks that have not been reissued on cassette or compact disc. In an interview (1995), Becker and Fagen chosen the songs "stinko."[22] "Dallas" was later covered by Poco on their Head Over Heels album.

Can't Buy a Thrill and Inaugural to Ecstasy (1972–1973) [edit]

Can't Buy a Thrill, Steely Dan's debut album, was released in 1972. Its hit singles "Do It Once again" and "Reelin' In the Years" reached No. 6 and No. eleven respectively on the Billboard singles chart. Forth with "Dirty Work" (sung by David Palmer), the songs became staples on radio.

Because of Fagen's reluctance to sing live, Palmer handled most of the song duties on stage. During the first tour, nevertheless, Katz and Becker decided that they preferred Fagen's interpretations of the band's songs, persuading him to take over. Palmer quietly left the grouping while it recorded its 2d album; he later co-wrote the No. 2 striking "Jazzman" (1974) with Carole King.

Released in 1973, Countdown to Ecstasy was not as commercially successful as Steely Dan's first album. Becker and Fagen were unhappy with some of the performances on the record and believed that it sold poorly considering it had been recorded hastily on bout. The album's singles were "Show Biz Kids" and "My Old Schoolhouse", both of which stayed in the lower one-half of the Billboard charts (though "My Onetime School" and—to a lesser extent—"Bodhisattva" became FM Rock staples in time).

Pretzel Logic and Katy Lied (1974–1976) [edit]

Guitarist Jeff "Skunk" Baxter left Steely Dan in 1974 when they ceased performing live and began working in the studio exclusively.

Pretzel Logic was released in early on 1974. A diverse prepare, it includes the group's nigh successful unmarried, "Rikki Don't Lose That Number" (No. four on the Billboard Hot 100), and a note-for-note rendition of Knuckles Ellington and James "Bubber" Miley'due south "East St. Louis Toodle-Oo".

During the previous anthology's bout, the band had added vocalist-percussionist Royce Jones, singer-keyboardist Michael McDonald, and session drummer Jeff Porcaro.[23] Porcaro played the sole drum rail on 1 vocal, "Night Past Night" on Pretzel Logic (Jim Gordon played drums on all the remaining tracks, and he and Porcaro both played on "Parker's Band"), reflecting Steely Dan's increasing reliance on session musicians (including Dean Parks and Rick Derringer). Jeff Porcaro and Katy Lied pianist David Paich would proceed to grade Toto. Striving for perfection, Becker and Fagen sometimes asked musicians to record as many equally twoscore takes of each rail.[24]

Pretzel Logic was the starting time Steely Dan album to feature Walter Becker on guitar. "In one case I met [session musician] Chuck Rainey", he explained, "I felt there really was no need for me to be bringing my bass guitar to the studio anymore".[24]

A rift began growing between Becker-Fagen and Steely Dan's other members (particularly Baxter and Hodder), who wanted to bout. Becker and Fagen disliked constant touring and wanted to concentrate solely on writing and recording. The other members gradually left the band, discouraged by this and past their diminishing roles in the studio. However, Dias remained with the group until 1980's Gaucho and Michael McDonald contributed vocals until the group's twenty-twelvemonth hiatus after Gaucho. Baxter and McDonald went on to join The Doobie Brothers. Steely Dan's concluding tour operation was on July 5, 1974, a concert at the Santa Monica Civic Auditorium in California.[25]

Becker and Fagen recruited a various grouping of session players for Katy Lied (1975), including Porcaro, Paich, and McDonald, as well as guitarist Elliott Randall, jazz saxophonist Phil Woods, saxophonist/bass-guitarist Wilton Felder, percussionist/vibraphonist/keyboardist Victor Feldman, keyboardist (and later producer) Michael Omartian, and guitarist Larry Carlton—Dias, Becker, and Fagen beingness Steely Dan's only original members. The album went gold on the force of "Black Friday" and "Bad Sneakers", merely Becker and Fagen were so dissatisfied with the album'southward audio (compromised by a faulty DBX noise reduction arrangement) that they publicly apologized for information technology (on the anthology's dorsum cover) and for years refused to listen to it in its concluding course.[26] Katy Lied also included "Doctor Wu" and "Chain Lightning".

The Royal Scam and Aja (1976–1978) [edit]

The Imperial Scam was released in May 1976. Partly because of Carlton's prominent contributions, information technology is the band's nigh guitar-oriented anthology. It also features performances by session drummer Bernard Purdie. The anthology sold well in the United States, though without the strength of a hitting single. In the UK the unmarried "Haitian Divorce" (Top 20) drove album sales, condign Steely Dan'southward first major hit there.[27] Steely Dan's sixth album, the jazz-influenced Aja, was released in September 1977. Aja reached the Tiptop Five in the U.Due south. charts within three weeks, winning the Grammy honour for "Engineer – Best Engineered Recording – Non-Classical." Information technology was also one of the first American LPs to be certified 'platinum' for sales of over 1 1000000 albums.[28] [29]

Roger [Nichols] made those records audio like they did. He was boggling in his willingness and desire to make records sound ameliorate.[30]

The records we did could non accept been done without Roger. He was but maniacal virtually making the sound of the records be what we liked... He always thought there was a meliorate fashion to do it, and he would find a fashion to do what we needed to in ways that other people hadn't done however.[31]

~ Steely Dan producer Gary Katz regarding Roger Nichols' role in the band'south recording legacy.

Featuring Michael McDonald'south backing vocals, "Peg" (No. 11) was the album's offset single, followed by "Josie" (No. 26) and "Deacon Blues" (No. xix). Aja solidified Becker'south and Fagen's reputations as songwriters and studio perfectionists. It features such jazz and fusion luminaries as guitarists Larry Carlton and Lee Ritenour; bassist Chuck Rainey; saxophonists Wayne Shorter, Pete Christlieb, and Tom Scott; drummers Steve Gadd, Rick Marotta and Bernard Purdie; pianist Joe Sample and ex-Miles Davis pianist/vibraphonist Victor Feldman and Grammy accolade-winning producer/arranger Michael Omartian (piano).

Planning to tour in support of Aja, Steely Dan assembled a live band. Rehearsal ended and the tour was canceled when bankroll musicians began comparison pay.[32] The album'southward history was documented in an episode of the TV and DVD serial Classic Albums.

Subsequently Aja's success, Becker and Fagen were asked to write the title track for the movie FM. The motion picture was a box-office disaster, but the song was a hit, earning Steely Dan another technology Grammy award. Information technology was a minor hitting in the UK and barely missed the Superlative 20 in the UsA.[27]

Gaucho and breakdown (1978–1981) [edit]

Becker and Fagen took a break from songwriting for nearly of 1978 earlier starting piece of work on Gaucho. The project would not go smoothly: technical, legal, and personal setbacks delayed the album'south release and subsequently led Becker and Fagen to suspend their partnership for over a decade.[33]

Misfortune struck early when an assistant engineer accidentally erased most of "The Second Arrangement", a favorite track of Katz and Nichols,[34] which was never recovered. More trouble — this time legal — followed. In March 1979, MCA Records bought ABC, and for much of the next two years Steely Dan could not release an album. Becker and Fagen had planned on leaving ABC for Warner Bros. Records, only MCA claimed ownership of their music, preventing them from changing labels.

Turmoil in Becker's personal life as well interfered. His girlfriend died of a drug overdose in their Upper West Side apartment, and he was sued for $17 1000000. Becker settled out of court, only he was shocked by the accusations and by the tabloid press coverage that followed. Soon afterward, Becker was struck by a taxi while crossing a Manhattan street, shattering his correct leg in several places and forcing him to use crutches.

Still more legal trouble was to come up. Jazz composer Keith Jarrett sued Steely Dan for copyright infringement, claiming that they had based Gaucho'south title track on one of his compositions, "Long Equally You Know You're Living Yours" (Fagen later admitted that he'd loved the song and that information technology had been a strong influence).[35]

Gaucho was finally released in November 1980. Despite its tortured history, it was another major success. The album's first single, "Hey Nineteen", reached No. ten on the pop chart in early 1981, and "Time Out of Mind" (featuring guitarist Mark Knopfler of Dire Straits) was a moderate hit in the leap. "My Rival" was featured in John Huston's 1980 film Phobia. Roger Nichols won a third engineering Grammy award for his piece of work on the album.

Fourth dimension off (1981–1993) [edit]

Steely Dan disbanded in June 1981.[36] Becker moved to Maui, where he became an "avocado rancher and self-styled critic of the contemporary scene."[37] He stopped using drugs, which he had used for most of his career.[38] [39] [40] Meanwhile, Fagen released a solo anthology, The Nightfly (1982), which went platinum in both the U.Southward. and the United kingdom and yielded the Summit Twenty hit "I.G.Y. (What a Beautiful World)." In 1988 Fagen wrote the score of Bright Lights, Big Metropolis and a song for its soundtrack, but otherwise recorded little. He occasionally did product work for other artists, as did Becker. The well-nigh prominent of these were ii albums Becker produced for the British sophisti-pop grouping Communist china Crisis, who were strongly influenced by Steely Dan.[41] Becker is listed equally an official member of Communist china Crisis on the first of these albums, 1985's Flaunt the Imperfection, and played keyboards on the ring'southward Meridian 20 UK striking "Black Human Ray". For the 2d of the ii albums, 1989's Diary of a Hollow Horse, Becker is only listed every bit a producer and non every bit a band member.

In 1986 Becker and Fagen performed on Zazu, an album by onetime model Rosie Vela produced past Gary Katz.[42] The two rekindled their friendship and held songwriting sessions between 1986 and 1987, leaving the results unfinished.[43] On October 23, 1991, Becker attended a concert past New York Rock and Soul Revue, co-founded by Fagen and producer/singer Libby Titus (who was for many years the partner of Levon Helm of The Band and would later get Fagen'southward wife), and spontaneously performed with the group.

Becker produced Fagen'due south second solo album, Kamakiriad, in 1993. Fagen conceived the album as a sequel to The Nightfly.[ commendation needed ]

Reunion, Alive in America (1993–2000) [edit]

Steely Dan, shown here in 2007, toured ofttimes after reforming in 1993.

Becker and Fagen reunited for an American tour to support Kamakiriad, which sold poorly despite a Grammy nomination for Album of the Year. With Becker playing lead and rhythm guitar, the pair assembled a band that included a 2d keyboard histrion, second lead guitarist, bassist, drummer, vibraphonist, three female backing singers, and four-slice saxophone section. Among the musicians from the live band, several would continue to work with Steely Dan over the next decade, including bassist Tom Barney and saxophone players Cornelius Bumpus and Chris Potter. During this tour, Fagen introduced himself as "Rick Strauss" and Becker as "Frank Poulenc".

The side by side year, MCA released Denizen Steely Dan, a boxed set featuring their entire catalog (except their debut single "Dallas"/"Canvass The Waterway") on 4 CDs, plus four extra tracks: "Here at the Western Earth" (originally released on 1978's "Greatest Hits"), "FM" (1978 single), a 1971 demo of "Anybody'south Gone to the Movies" and "Bodhisattva (live)", the latter recorded on a cassette in 1974 and released equally a B-side in 1980. That year Becker released his debut solo album, eleven Tracks of Whack, which Fagen co-produced.

Steely Dan toured once again in support of the boxed set and Tracks. In 1995 they released a alive CD, Live in America, compiled from recordings of several 1993 and 1994 concerts. The Art Crimes Tour followed, including dates in the Usa, Japan, and their first European shows in 22 years. After this action, Becker and Fagen returned to the studio to brainstorm work on a new album.

Two Against Nature and Everything Must Go (2000–2003) [edit]

In 2000 Steely Dan released their kickoff studio album in 20 years: Two Against Nature. It won four Grammy Awards: Best Engineered Album – Non-Classical, Best Popular Song Anthology, Best Pop Operation by Duo or Group with Vocal ("Cousin Dupree"), and Album of the Year (despite competition in this category from Eminem's The Marshall Mathers LP and Radiohead's Child A). In the summer of 2000, they began some other American bout, followed by an international tour later that twelvemonth. The tour featured guitarist Jon Herington, who would keep to play with the band over the side by side 2 decades. The group released the Plush Television receiver Jazz-Rock Party DVD, documenting a live-in-the-studio concert performance of popular songs from throughout Steely Dan's career. In March 2001, Steely Dan was inducted into the Rock and Roll Hall of Fame.[7] [8]

In 2003 Steely Dan released Everything Must Go. In contrast to their earlier work, they had tried to write music that captured a live feel. Becker sang atomic number 82 vocals on a Steely Dan studio album for the outset fourth dimension ("Slang of Ages" — he had sung lead on his own "Book of Liars" on Alive in America). Fewer session musicians played on Everything Must Go than had go typical of Steely Dan albums: Becker played bass on every rail and atomic number 82 guitar on five tracks; Fagen added piano, electric piano, organ, synthesizers, and percussion on pinnacle of his vocals; touring drummer Keith Carlock played on every track.

Firing of Roger Nichols [edit]

In 2002 during the recording of Everything Must Go, Becker and Fagen fired their engineer Roger Nichols, who had worked with them for 30 years, without caption or notification, according to band biographer Brian Sweet'due south 2018 revision of his book Reelin' in the Years. [44]

Touring, solo activity (2003–2017) [edit]

To complete his Nightfly trilogy, Fagen issued Morph the True cat in 2006. Steely Dan returned to annual touring that year with the Steelyard "Sugartooth" McDan and The Fab-Originees.com Bout.[45] Despite much fluctuation in membership, the live band featured mainstays Herington, Carlock, bassist Freddie Washington, the horn section of Michael Leonhart, Jim Pugh, Roger Rosenberg, and Walt Weiskopf, and backing vocalists Carolyn Leonhart and Cindy Mizelle. The 2007 Heavy Rollers Tour included dates in Due north America, Europe, Nippon, Australia, and New Zealand, making it their most expansive tour.[46]

The smaller Recall Fast Tour followed in 2008, with keyboardist Jim Beard joining the live band. That year Becker released a second album, Circus Money, produced by Larry Klein and inspired past Jamaican music. In 2009 Steely Dan toured Europe and America extensively in their Left Bank Holiday and Rent Party Tour, alternate between standard i-date concerts at large venues and multi-nighttime theater shows that featured performances of The Royal Scam, Aja, or Gaucho in their entirety on certain nights. The following year, Fagen formed the touring supergroup Dukes of September Rhythm Revue with McDonald, Boz Scaggs, and members of Steely Dan'due south live band, whose repertoire included songs by all three songwriters. Longtime studio engineer Roger Nichols died of pancreatic cancer on April 10, 2011.[47] Steely Dan'due south Shuffle Diplomacy Tour that year included an expanded set up listing and dates in Australia and New Zealand. Fagen released his fourth album, Sunken Condos, in 2012. Information technology was his first solo release unrelated to the Nightfly trilogy.

The Mood Swings: 8 Miles to Pancake Solar day Bout began in July 2013 and featured an 8-night run at the Beacon Theatre in New York City.[48] Jamalot Ever After, their 2014 United States tour, ran from July ii in Portland, Oregon to September xx in Port Chester, New York.[49] 2015's Rockabye Gollie Angel Tour included opening act Elvis Costello and the Imposters and dates at the Coachella Valley Music and Arts Festival. The Dan Who Knew Likewise Much tour followed in 2016, with Steve Winwood opening. Steely Dan also performed at The Hollywood Basin in Los Angeles with an accompanying orchestra.

The ring played its final shows with Becker in 2017. In Apr, they played the 12-date Reelin' In the Chips residency in Las Vegas and Southern California.[50] Becker'south final functioning came on May 27 at the Greenwich Town Political party in Greenwich, Connecticut.[51] Due to affliction, Becker did not play Steely Dan's two Classics Due east and West concerts at Dodger Stadium and Citi Field in July.[52] Fagen embarked on a bout that summertime with a new backing band, The Nightflyers.

Later on Becker's decease (2017–present) [edit]

Becker died from complications of esophageal cancer on September 3, 2017.[53] In a note released to the media, Fagen remembered his longtime friend and bandmate, and promised to "keep the music nosotros created together alive equally long every bit I tin can with the Steely Dan band."[54] Later on Becker's expiry, Steely Dan honored commitments to perform a short North American tour in Oct 2017 and 3 concert dates in the Britain and Ireland for Bluesfest on a double neb with the Doobie Brothers.[55] The band played its first concert post-obit Becker'due south death in Thackerville, Oklahoma, on October xiii.[55] In tribute to Becker, they performed his solo song "Volume of Liars", with Fagen singing the lead vocals, at several concerts on the bout.[56]

Becker'southward widow and estate sued Fagen afterward that yr, arguing that the estate should command l% of the ring'south shares.[57] Fagen filed a counter accommodate, arguing that the band had fatigued up plans in 1972 stating that ring members leaving the band or dying relinquish shares of the band'southward output to the surviving members. In December, Fagen said that he would rather accept retired the Steely Dan name after Becker's death, and would instead have toured with the current iteration of the group under another proper noun, but was persuaded non to by promoters for commercial reasons.[58]

In 2018, Steely Dan performed on a summer tour of the Usa with The Doobie Brothers equally co-headliners.[59] The band also played a nine-show residency at the Beacon Theatre in New York Metropolis that Oct.[sixty] In February 2019, the ring embarked on a tour of Great Britain with Steve Winwood.[61] Guitarist Connor Kennedy of The Nightflyers joined the live band, beginning with a nine-night residency at The Venetian Resort in Las Vegas in Apr 2019.[62]

Musical and lyrical manner [edit]

Music [edit]

Overall audio [edit]

Special attention is given to the individual audio of each musical instrument. Recording is done with the utmost allegiance and attention to sonic detail, and mixed and so that all the instruments are heard and none are given undue priority. Their albums are also notable for the characteristically 'warm' and 'dry' production audio, and the sparing utilize of echo and reverberation.

Backing vocals [edit]

Becker and Fagen favored a distinctly soul-influenced fashion of backing vocals, which after the first few albums were nigh ever performed by a female chorus (although Michael McDonald features prominently on several tracks, including the 1975 song "Black Friday" and the 1977 vocal "Peg"). Venetta Fields, Sherlie Matthews and Clydie Male monarch were the preferred trio for backing vocals on the group'south belatedly 1970s albums.[63] Other backing vocalists include Timothy B. Schmit, Tawatha Agee, Carolyn Leonhart, Janice Pendarvis, and Catherine Russell.[ citation needed ] The band also featured singers like Patti Austin and Valerie Simpson on later projects such as Gaucho.[ citation needed ]

Horns [edit]

Horn arrangements have been used on songs from all Steely Dan albums. They typically feature instruments such as trumpets, trombones and saxophones, although they take also used other instruments such as flutes and clarinets. The horn parts occasionally integrate simple synth lines to alter the tone quality of individual horn lines; for example in "Deacon Dejection" this was done to "thicken" one of the saxophone lines. On their before albums Steely Dan featured guest arrangers and on their later albums the arrangement work is credited to Fagen.

Composition and chord utilize [edit]

Steely Dan is famous for their use of chord sequences and harmonies that explore the area of musical tension between traditional pop sounds and jazz. In particular, they are known for their use of the add two chord, a blazon of added tone chord, which they nicknamed the mu major.[64] [65] [66] Other common chords used by Steely Dan include slash chords.

Lyrics [edit]

Steely Dan'due south lyrical subjects are diverse, but in their bones approach they oftentimes create fictional personae that participate in a narrative or situation. The duo have said that in hindsight, most of their albums have a "feel" of either Los Angeles or New York City, the ii main cities where Becker and Fagen lived and worked. Characters announced in their songs that evoke these cities. Steely Dan'southward lyrics are often puzzling to the listener,[67] with the true meaning of the vocal "uncoded" through repeated listening, and a richer understanding of the references within the lyrics. In the song "Anybody's Gone to the Movies," the line "I know you're used to 16 or more, sorry nosotros simply have eight" refers not to the count of some article, but to viii mm film, which was lower quality than 16 mm or larger formats and frequently used for pornography, underscoring the illicitness of Mr. LaPage's flick parties.[68]

Thematically, Steely Dan creates a universe peopled by losers, creeps and failed dreamers, often victims of their ain obsessions and delusions. These motifs are introduced in the Dan's first hitting song, "Exercise Information technology Again," which contains a description of a murderous cowboy who beats the gallows, a homo taken advantage of by a adulterous girlfriend, and an obsessive gambler, all of whom are unable to command their own destinies; like themes of existence trapped in a death screw of 1'due south own making appear throughout their catalog. Other themes that they explore include prejudice, aging, poverty, and middle-class ennui.

Many would contend that Steely Dan never wrote a 18-carat honey song, instead dealing with personal passion in the guise of a destructive obsession.[69] Many of their songs concern love, just typical of Steely Dan songs is an ironic or agonizing twist in the lyrics that reveals a darker reality. For example, expressed "beloved" is really about prostitution ("Pearl of the Quarter"), incest ("Cousin Dupree"), pornography ("Everyone's Gone to the Movies"), or some other socially unacceptable subject field.[70] However, some of their demo-era recordings bear witness Fagen and Becker expressing romance, including "This Seat'due south Been Taken", "Oh, Wow, It's You" and "Come Back Infant".

Steely Dan'southward lyrics comprise subtle and encoded references, unusual (and sometimes original) slang expressions, a wide variety of "word games." The obscure and sometimes teasing lyrics accept given rise to considerable efforts past fans to explain the "inner meaning" of certain songs.[71] [72] Jazz is a recurring theme, and at that place are numerous other film, television and literary references and allusions, such as "Dwelling house at Last" (from Aja), which was inspired past Homer'southward Odyssey.[73]

Some of their lyrics are notable for their unusual meter patterns; a prime example of this is their 1972 hit "Reelin' In the Years", which crams an unusually large number of words into each line, giving it a highly syncopated quality.

"Name dropping" is another Steely Dan lyrical device; references to real places and people abound in their songs. The vocal "My Old School" is an example, referring to Annandale (Annandale-on-Hudson, New York, is home to Bard Higher, which both attended and where they met), and the Two Against Nature anthology (2000) contains numerous references to the duo'due south original region, the New York metro area, including the district of Gramercy Park, the Strand Bookstore, and the upscale nutrient shop Dean & DeLuca. In the vocal "Glamour Profession" the decision of a drug deal is celebrated with dumplings at Mr. Chow, a Chinese restaurant in Beverly Hills. The band fifty-fifty employed self-reference; in the song "Bear witness Biz Kids," the titular subjects are sardonically portrayed as owning "the Steely Dan T-shirt."

The ring also oft proper name-checks drinks, typically alcoholic, in their songs: rum and cokes ("Daddy Don't Live in That New York City No More than"), piña coladas ("Bad Sneakers"), zombies ("Haitian Divorce"), black cows ("Blackness Moo-cow"), Scotch whisky ("Deacon Dejection"), retsina ("Home at Concluding"), grapefruit wine ("FM"), cherry wine ("Time Out of Mind"), Cuervo Gold ("Hey Nineteen"), kirschwasser ("Babylon Sisters"), Tanqueray ("Lunch with Gina"), Cuban breeze (Fagen's solo track "The Goodbye Look"), and margaritas ("Everything Must Go") are all mentioned in Steely Dan lyrics.[74]

Members [edit]

Electric current members

  • Donald Fagen – lead vocals, keyboards, saxophone (1972–1981, 1993–present)

One-time members

  • Walter Becker – guitar, bass, bankroll and lead vocals (1972–1981, 1993–2017; his decease)
  • Jeff "Skunk" Baxter – guitar, bankroll vocals (1972–1974)
  • Denny Dias – guitar (1972–1974, studio contributions until 1977)
  • Jim Hodder – drums, backing and lead vocals (1972–1974; died 1990)
  • David Palmer – backing and atomic number 82 vocals (1972–1973)
  • Royce Jones – bankroll vocals, percussion (1973–1974)
  • Michael McDonald – keyboards, bankroll vocals (1974, studio contributions until 1980)
  • Jeff Porcaro – drums (1974, studio contributions until 1980; died 1992)

Timeline [edit]

Discography [edit]

Studio albums

  • Can't Buy a Thrill (1972)
  • Countdown to Ecstasy (1973)
  • Pretzel Logic (1974)
  • Katy Lied (1975)
  • The Royal Scam (1976)
  • Aja (1977)
  • Gaucho (1980)
  • Two Against Nature (2000)
  • Everything Must Go (2003)

See as well [edit]

  • List of songwriter tandems

References [edit]

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External links [edit]

  • Official website Edit this at Wikidata

onealreen1945.blogspot.com

Source: https://en.wikipedia.org/wiki/Steely_Dan

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